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YOUR ALL-IN-ONE
REMOTE POST HOUSE
We Got you Covered





TRUSTED BY BRANDS
VALUED BY PRODUCERS
From global brands to indie storytellers, Edits Etc. is the Remote Post House
built for teams that want results, not overhead.

















































FAQS
Edits Etc. is a Remote Post House. We're a collective of top-tier post professionals who build a custom team around each project: editors, colorists, sound designers, VFX artists, animators, and producers. You get the range of a traditional post facility with the flexibility and personal attention of a dedicated crew.
Agencies, production companies, brands, networks, and independent filmmakers. Past clients include UFC, PBS, Fox Entertainment, Shake Shack, and Thorne. Many teams bring us in as a trusted overflow partner when their workload spikes, so projects keep moving without sacrificing quality.
The full post pipeline: editorial, color, sound design and mix, VFX, animation, graphic design, conform, finishing, and delivery. We also provide post supervision and production support, so we can manage the entire post process for you, not just individual pieces of it.
It starts with a free 15 to 30 minute Discovery Call to understand your project, timeline, and goals. From there, we send a detailed estimate, assemble your team, and set up shared storage, Frame.io for review, and a clear schedule. Every project has a dedicated producer, so you always have one point of contact.
Most projects include three rounds of revisions for editorial and two rounds each for color and sound. Animation and VFX vary by scope. Need more? We can extend at an hourly or day rate to keep things moving.
Pricing depends on creative needs, team size, deadlines, and overall scope. After your Discovery Call, we'll send a detailed estimate showing exactly how each part breaks down. We typically ask for a retainer up front, with the balance split across milestones like first deliverable and final approval.
Yes. Tight turnarounds usually mean scaling up the team, so rush rates apply, but we can almost always find a way to make it happen.
Absolutely. We regularly work alongside in-house editors and producers, filling gaps, taking on overflow, or handling specific departments like color or sound while your team handles the rest.
We're built remote-first, but we also offer in-person support, including VFX supervision, on-set DIT, and producer support. Our team can travel.
We're happy to sign NDAs, and all media lives in secure, access-controlled cloud storage that only your assigned team can reach. Whether you send footage through a shared cloud workspace, a transfer service, or shipped drives, we'll set up the workflow that fits your project.
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